10th edition CIFF – 10-14 April 2024

Tarde para morir joven (Too Late to Die Young) (2019 Feature Film)

Through the eyes of teenagers Sofia, Lucas and Clara, we see life in a Chilean commune in the summer of 1990, as the residents prepare to celebrate the New Year. The experiences of the three teenagers reflect the growing pains of Chile’s new democracy, after almost two decades of military dictatorship.

Tehran: City of Love (2019 Feature Film)

A former bodybuilder perks up when he gets the chance to train a young athlete, an overweight receptionist uses her sexy voice to seduce men on the telephone and a downcast religious singer decides to become a wedding entertainer. Three stories about love and loneliness in Tehran, in a film full of drily comic moments.

Tel Aviv on Fire (2019 Feature Film)

At the Israeli border when Salem mentions that he works on a popular TV series, the checkpoint official demands a more pro-Jewish twist to the romance in the soap. However this turns out to be easier said than done. A surprisingly light and comical way of capturing the Arab-Israeli conflict, which nevertheless tackles a painful truth.

Tierra adentro (Inland) (2019 Feature Film)

Mauro Colombo’s urgent documentary feature debut shows the filmmaker immersing himself in the Darién Gap, a dense and mysterious jungle that divides Panama and Colombia. At the dangerous border between these two countries, guerrillas, immigrants, indigenous people, farmers, drug traffickers, local police, and wild animals cross paths.

Todos lo saben (Everybody Knows) (2019 Feature Film)

A captivating, Spanish-language thriller by Iranian film master Asghar Farhadi, featuring acting royalty Penélope Cruz and Javier Bardem. What starts off as a romantic wedding party soon becomes a nerve-wracking kidnapping drama. To get her daughter back alive, Laura has to get help from family and friends, which promptly reveals all manner of secrets.

Yellow Robin Award Winner

This year, the Yellow Robin Award was presented to the extraordinary feature film debut of Alexandra Henao, ‘Mi tia Gilma’. Set on the brink of

Santos Inocentes

Her and Him live together and love each other. Him wants to have kids and Her is not so sure. Everything changes when Him believes Her is pregnant. Him realizes that maybe having kids with Her, is no quite what he really wants.

Sakhaldand

This is the story of a husband and wife, with the woman trapped in a male-dominated society and the man trapped in his own macho behaviour. A simple, uncomplicated story that underlines the grip of a male dominant system around women.

Ajá

In the Chontal language of Oaxaca, Ajá means water. This cinematic essay explores and reinterprets the Chonta, the mystical rain ceremony of the people. This audiovisual creation was made by the filmmaker in honour of his late uncle Simitrio, a healer, musician and prayer. Simitrio will guide the
viewer with his narration