FILM DAYS limited edition – 21 – 23 April 2023
FILMS 2019: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
FILMS 2018: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
FILMS 2017: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
FILMS 2016: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
FILMS 2015: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
Muayad ALAYAN | Palestine, Netherlands, Germany, Mexico | 2018 | color | DCP | 127′ | Arabic, Hebrew, English | e.s.
Furtive fucking in the back of a van: this is what Sarah and Saleem’s relationship consists of. A few times a week, when Sarah has closed her café and Saleem is done with his delivery rounds. It might be better if they didn’t do it – they are both married, and so are risking their domestic happiness. But what makes the affair even more daring is that she’s Jewish and he’s Palestinian. In divided Jerusalem, this goes way beyond the private. Then Sarah and Saleem are seen together in a club in Bethlehem, and it’s not long before Saleem has the security services from both sides breathing down his neck. A simple extramarital affair becomes a spy sensation, which is given an extra political dimension by the fact that Sarah’s husband is a high-ranking officer in the Israeli army.
This crippling supervision of the personal – in the form of state surveillance and social control – on both sides of the wall dividing Israel and Palestine was previously tackled by director Muayad Alayan in several short films, as well as in his feature Love, Theft and Other Entanglements (2015). His brother and regular filmmaking partner Rami wrote the screenplay for The Reports on Sarah and Saleem, their second feature, which leads us step by step into a world where it is all but impossible not to get caught up in politics.
Winner Hubert Bals Fund Audience Award, IFFR 2018. For the screenplay of this film Rami Alayan was awarded IFFR’s Special Jury Award for exceptional artistic achievement.
Place: The Cinemas 4
Date: 11 April 2018
Time: 20:30
Duration: 1:40
Place: The Cinemas 4
Date: 14 April 2018
Time: 15:30
Duration: 1:40
Place: The Cinemas 4
Date: 15 April 2018
Time: 18:15
Duration: 1:40
Year in
Festival
2018
Director
Muayad ALAYAN
Camera
Sebastian Bock
Cast
Maisa Abd Elhadi
Adeeb Safadi
Sivane Kretchner
Ishai Golan
Country
Palestine
Netherlands
Germany
Mexico
Editor
Sameer Qumsiyeh
Language
Arabic
Hebrew
English
Length
127′
Producer
Muayad Alayan
Rami Alayan
Hans de Wolf
Hanneke Niens
Rebekka Garrido
Rodrigo Iturralde
Georgina Gonzalez
Alejandro Duran
Production Company
PalCine Productions
KeyFilm
Manderley Films
Monofilms
Production Design
Bashar Hassuneh
Sales
Heretic Outreach
Scenario
Rami Alayan
Sound Design
Giannis Giannakopoulos
Costas Fylaktidis
Muayad ALAYAN is een Palestijnse filmmaker en cameraman gevestigd in Jeruzalem. Hij volgde een filmopleiding in San Francisco en zijn afstudeerproject, de documentaire Exiles in Jerusalem (2005), won de Kodak-prijs in dezelfde stad. Zijn korte filmdebuut Lesh Sabreen? (2009), gemaakt met en over de jongeren uit het dorp waar hij is opgegroeid, werd wereldwijd vertoond en bekroond op filmfestivals. Alayan is medeoprichter van Palcine Productions, een collectief van filmmakers en audiovisuele kunstenaars in Jeruzalem en Bethlehem. Ook heeft hij film en cinematografie gedoceerd op verschillende academies in Palestina. Zijn eerste speelfilm Love, Theft and Other Entanglements (2015) beleefde zijn wereldpremière in Berlijn.
Filmography
(selection) Exiles in Jerusalem (2005, short doc), Lesh Sabreen?/Why Sabreen? (2009, short), Mute (2010, short), Sacred Stones (2011, short doc, co-dir), Al-hob wa al-sariqa wa mashakel ukhra/Love, Theft and Other Entanglements (2015), The Reports on Sarah and Saleem (2018)