FILM DAYS limited edition – 21 – 23 April 2023
FILMS 2019: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
FILMS 2018: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
FILMS 2017: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
FILMS 2016: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
FILMS 2015: A – E | F – L | M – P | Q – S | T – Z | Feature Film | Short Film
Robert CLEM | USA | 2017 | doc | color / black-and-white | DCP | 87′ | English | n.s.
MUSIC CALLS_Rock ‘n’ roll’s roots aren’t just rhythm and blues, but go much further back to 1930s gospel quartet music. A surfeit of musical clips illustrates how harmony singing gradually evolved into an upbeat spectacle with electrical instruments and, ultimately, more worldly lyrics.
Legendary musicians like James Brown got their ideas from the impressive, dramatic performances of Afro-American gospel quartets that played in churches, on local radio stations and, later, at concert halls starting in the 1930s. The music documentary How They Got Over about the evolution of these quartets illustrates how this often originally religious harmony singing developed into more secular songs with instruments, multiple vocalists, passion, and sold-out shows. These singing men and women were musical precursors to famous genres such as doo-wop, rhythm and blues, soul, Motown and rock ‘n’ roll.
A number of octogenarian singers regale us with tales of their road trips across the South of the United States when they played for peanuts to make their names. Their stories and those of other genre lovers are augmented by seldom-seen archival footage of concerts by the Dixie Hummingbirds, the Blind Boys of Alabama, Sister Rosetta Tharpe, and many others.
Place: The Cinemas 5
Date: 12 April 2018
Time: 17:30
Duration: 1:06
Place: The Cinemas 5
Date: 13 April 2018
Time: 22:00
Duration: 1:06
Place: The Cinemas 5
Date: 14 April 2018
Time: 12:45
Duration: 1:06
Year in
Festival
2018
Director
Robert CLEM
Camera
J. Alan Hostetter
Tommy Wier
Country
USA
Editor
Robert Clem
Language
English
Length
87′
Producer
Robert Clem
Mike Tannen
Production Company
Sales
One State Films
Scenario
Robert Clem
Year of Production
2017
Website
De Amerikaanse filmmaker Robert CLEM ontving een MA van de filmschool van de New York University en participeerde in het Sundance Institute Writer/Director’s Lab. Zijn films onderzoeken de complexe cultuur en geschiedenis van zijn thuisstaat Alabama en het zuiden van de Verenigde Staten. In de jaren 90 produceerde en regisseerde hij drama’s voor de US National Public Radio. Zijn eerste documentaire Big Jim Folsom: The Two Faces of Populism (1997), over de raciaal diverse, populistische opstand van Alabama in de jaren 40 won de International Documentary Association ABCNews VideoSource Award.
Filmography
Big Jim Folsom: The Two Faces of Populism (1997, doc), War Birds: Diary of an Unknown Aviator (2003, doc), Company K (2004), In the Wake of the Assassins (2007), Eugene Walter: Last of the Bohemians (2008, doc), Malbis Plantation (2010, Jefferson County Sound (2011), The Passion of Miss Augusta (2014), The Two Worlds of William March (2016), How They Got Over (2017, doc)